In his solo exhibition ‘Anyone can be beautiful’, Pham Thai Ho focuses on the honesty of creation and the humility of art. For Ho, it is crucial to emphasize that art does not simply work on its own. Art has to be developed and cannot simply be replaced by aesthetic aspects. This perspective represents a clear demarcation between decorative beauty and true art.
Ho argues that aesthetic, decorative beauty is not synonymous with art. The art historical background plays an essential role here. A deep understanding of art and its aesthetics is made up of more than just the external appearance; it also requires an examination of the historical and cultural contexts that influence the artwork.
A central point of criticism by Hos is directed against the idea that the mere copying of a work or technique has the same value as the original. This stance emphasizes the importance of the creative process – of creating, thinking, experimenting, failing and being – which is essential to the authenticity and depth of a work of art.
At the same time, Ho emphasizes how important it is to use art as a means of broadening horizons and not just as a decorative element for the home. This approach encourages the viewer not just to consume works of art superficially, but to engage intensively with the thoughts and feelings behind them.
In his exhibition, Ho presents three new video works, new paintings and his interactive work ‘Erlebnisbingo’. The latter combines wisdom and truths with the quick happiness of the game, in the hope of gaining a deeper insight into life. This innovative approach invites viewers to playfully engage with existential questions.
Ho encourages his audience to engage with themselves, their fears, feelings and current affairs. He also does not shy away from a critical reflection of the art market. This thematic range makes ‘Anyone can be beautiful’ a profound and stimulating exhibition that takes visitors on a journey of self-discovery and critical thinking.